Album Recommendations: Marcy Playground |
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The old five-point scale has been retired in favor of just rating stuff 1-10, which allows me a much more nuanced final rating. Still don't take it that seriously. Most of these come from my own collection, so the grades skew rather high. Your results may vary if you send me stuff to review. Each album is given three Essential tracks, my personal favorites, regardless of how weird and inconsequential they are. The Quintessential pick is the one I think best represents the album as a whole, so you can try one song instead of a whole album of songs. Non-Essential picks range from merely disappointing to outright unlistenable. Marcy Playground[#] Marcy Playground (1997)Reviewed July 12, 2023Elephant in the room: "Sex and Candy" is a good song. Fun bit of Cammy lore for ya, when I was 9, I tried making a music video for it in MS Paint and Windows Movie Maker. I love the song, but it's hardly representative of Marcy Playground as a whole. Call it the "Mr. Jones" effect; it's not a total stylistic diversion for the band, but it's zingy and quirky in that 90s way and played well to a mainstream hungry for novelty for novelty's sake. Also worth addressing; John Wozniak doesn't remotely sound like Kurt Cobain. I feel like the contemporary press were still too focused on "the next Nirvana", and "Poppies" referencing the First Opium War somehow got the band labeled as Nirvana knockoffs. 90s music press was some hack fraud bullshit. No, Woz is focused more on hiding his Dungeons and Dragons paraphernalia from his parents and dealing in Alice in Wonderland imagery than on the drugs. There's a whimsy to this album of easygoing hippie rock, talks of going to space, smiling clowns, and the Mad Hatter, that separates Marcy Playground from all the angst rock that was progressively growing leaden by the end of the 90s. Marcy's songs are dead simple, catchy and easy on the ears, acoustic-driven with distortion only occasionally used. This was probably the opposite of cool when it came out, a modest, sleepy record about schoolyard bullies, small-town suicides, and, yes, sex and candy, but it's pretty much a success overall—and Woz didn't need to shoot up to write it, no.
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